THE SHORT TALK BULLETIN
The Masonic Service
Association of the United
States
VOL. 6 April 1928 NO. 4
The Working Tools
ENTERED APPRENTICE
The Common Gavel, used by operative Masons to break off the corners
of rough stones, is in speculative Freemasonry a symbol of power.
The Twenty-four-inch gauge is an instrument used by operative Masons to measure and lay
out their work, but in speculative Freemasonry we are taught by its symbolism to divide
our time into three equal parts, whereby are found eight hours for refreshment and sleep,
eight for our usual vocations and eight for the service of God and humanity. There is an
object in view and an end to be attained. It is, therefore, a symbol of purpose.
Power is the ability to act so as to produce change land cause event. Purpose is the idea
or object kept before the mind as an end of effort or action.
Modern science has uncovered so much power that thoughtful men fear it will work the
destruction of civilization unless a commensurate humane purpose is developed for its
direction.
The day and generation in which we live pulsates with power, the world is held in place by
dynamic oppositions, the universe is vibrant with force and man is a part of the divine
energy. The greatest think in God's created universe is a man. In him, according to the
teachings of Freemasonry, is the eternal flame, the indestructible image of the living
God. The power of man cannot be defined, cannot be fenced in, because it transcends all
finite standards of measurement.
Power directed by a bad purpose is positive destruction. Alexander the Great was the most
powerful man of antiquity. With an army of 35,000 men he flung himself against a Persian
horde of over one million. He conquered the world, but could not master himself. Intent on
lust and luxury, dissipation and destruction, his purposes were bad, and at the age of
forty-two he died in a drunken fit.
Charles the First of England insisted on the divine right of kings. he had his courts
decree that the King could do no wrong, filled the Tower of London with political
prisoners, tortured and decapitated his enemies, claimed the right of life and death over
his subjects, and exercised the unlimited power of an absolute monarch. His purposes were
bad, and under Oliver Cromwell his career was canceled, the executioner swung an axe and
the head of Charles the first rolled in the dust.
These were unusual men occupying exceptional positions, but the power of destruction is
terrific in the most ordinary life. Czolgoez, the polish anarchist, was a man of a low
order in the social scale, without wealth, without influence, without education; from the
casual viewpoint ignorant, insignificant and weak. His mind was the breeding ground of
crazy purposes, but he had sufficient destructive power to shoot William McKinley and
assassinate the Chief Magistrate of the greatest nation on earth.
Power directed by a good purpose is constructive, and results in achievement. It keeps the
cars on the tracks and the wires in the air, it turns the wheels of man's industry and
carries the commerce of continents as upon a mighty shoulder.
Warren Hastings was born in 1732; his mother was a servant girl who died when the baby was
two days old; his father deserted him, so he grew up as a charity child. He had a hungry
mind and obtained an education as best he could. When eighteen years of age he shipped for
India, working his own passage. He had a purpose in his life and there came a power that
enabled him to establish the Bengal Asiatic Society, to found colleges out of his own
funds and in his own name. Disraeli said English supremacy in India was the direct result
of this man's work. Today the memory of Warren Hastings is linked with the greatness of
the British Empire.
David Livingstone was a humble Scotchman, the son of a weaver and himself a worker at the
spinning wheel. Into his soul there came a great purpose of life, and he went to South
Africa as a missionary. He was frail of body, never physically strong, but with the
purpose there came to him a power to brave danger and endure privations. For a period of
twenty years he blazed a trail of light through a dark continent, destroyed the slave
trade in negroes, and convinced the world that the salvation of Africa was a white man's
job. In that commission he surrendered his life on his knees in supplication to God. His
body was carried thousands of miles by a black man through jungles, over rivers, across
land and seas; last summer at Westminster Abbey I stood before his mortal remains buried
and honored in the sepulcher of Kings.
In his early manhood Abraham Lincoln stood before a slave market in New Orleans. Upon the
block was a young woman, stripped to the waist. he heard the auctioneer describe her fine
points and estimate her value. He became conscious, not simply of a black form, but of
life divinely given. His soul responded to the challenge of a supreme purpose and he said,
"If I have a chance to strike this institution I will strike it hard." Through
the years there came to him the power to blaze out the path and light up the way for a new
baptism of human freedom, finally to seal that purpose with a martyr's blood and ascend to
the throne of God with four million broken fetters in his hands. Now the whole world joins
in a myriad-voiced chorus of love and honor to his memory. In every land and under every
clime he is exalted and glorified as a mighty champion of human rights.
History preserves in the clear amber of immortality the record of men, who, set on fire by
some sublime purpose, dedicate the power of their lives to its prosecution.
The lesson is definite and practical. The twenty-four-inch gauge and the common gavel
speak to every Mason the language of constructive purpose land personal power. They mean
that a Mason should cherish his ideals, the beauty that forms in the mind, the music that
stirs in his heart, the glory that drapes his purest purpose, for out of these things he
has the power to build for himself la new world in which to live.
The Level is an instrument used by operative Masons to prove
horizontals. It is trite to say that it is a symbol of equality. The Declaration of
American Independence proclaims that all men are "created equal." With most of
us this is a glittering generality, born of the fact that we are all made of the same
dust, share a common humanity and walk on the level of time until the grim democracy of
death blots out all distinctions, and the scepter of the prince and the staff of the
beggar are laid side by side. It is apparent that men are not equal, and cannot be equal
either in brain or brawn. There is no common mold by which humanity can be reduced to a
dead level. The world has various demands requiring different powers; brains to devise
great and important undertakings; seers to dream dreams and behold visions; hands to
execute the designs laid down upon the trestle board; scientists to adorn the mind and
reveal the glories of the universe; poets to inspire the soul and play music on human
heart-strings; pioneers to blaze out the path, and prophets to light up the way to a land
where the rainbow never fades.
The equality of which the Level is a symbol is one of right and not one of gift and
endowment. It stands for the equal right of every man to life, liberty and the pursuit of
happiness; the equal right of every man to be free from oppression in the development of
his own faculties. It means the destruction of special privilege and arbitrary limitation.
Freemasonry presided over the birth of our Republic and by the skill of its leaders wrote
into the organic law of this land the immutable truth of which the Level is a symbol. In a
Masonic lodge George Washington was taught that the Level is a symbol of equality. In the
darkest hour of the Colonial cause, the soldiers, in a moment of despair and desperation,
would have placed on washington's head the crown of a king. Hayden says, "The
overthrow of the rump parliament by Cromwell, the breaking up of the imbecile directory by
Napoleon were difficult tasks compared to the ease with which the divided Continental
Congress could have been dispersed." Washington was not fighting for royal rank, nor
for coronation. As a champion of human rights, he was fighting for exact justice and
equality of opportunity, and so the kingship and the crown were rejected with indignation
and contempt.
This symbol means that in a Masonic lodge every man should count for one, and no man
should count for more than one. In a Masonic lodge the weak and the strong, the rich and
the poor, men of diverse creeds and capacity, meet upon the level, close their eyes to
arbitrary distinctions and reaffirm that Freemasonry regards no man for his worldly wealth
or honors, that the internal and not the external qualifications of a man recommend him to
Freemasonry.
Albert Pike said that Freemasonry was the first apostle of equality. The truth of the
Level is woven into the fabric of our free institutions. So by Craft and country we are
picked and pledged to the practice of this priceless principle.
The square is an instrument used by operative Masons to square their work. In speculative
Freemasonry it is a symbol of morality.
It is white with a nameless age. Centuries before the Christian era a negative statement
of the Golden Rule was called the principle of acting on the square. Today the expression
"upon the square" stands for truthful statement and honest dealing.
In a superficial sense, morality is the verdict of the majority. The elements of time and
geography enter into the conception of moral standards. In some aspects morality is
relative; what is moral to one man may be immoral to another, what is moral in one
position may become immoral when conditions are changed. The word is difficult of
definition, but for everyday use, morality seems to be a correct correspondence between
conscience, circumstance and conduct. Within definite limits men have a right to prescribe
standards of morality for themselves. In the eyes of the law there are two kinds of wrong.
One is called "malum in se," that is, an act which is evil in itself and by
reason of its inherent nature. The other is "malum prohibitum" that is, an act
which is not naturally an evil, but only so in consequence of its being forbidden. Except
where fundamentals are involved, it is dangerous for one man to attempt the application of
his standards of morality to another man's life.
I remember reading a story of the great flood that came upon the Ohio. In the grey of the
morning some men saw a house floating down the river and on its top a human being. Going
to the rescue, they found a woman whose life they wished to save, but she said, "No!
In this house I have three dead babies, I will not desert; I am going out with them."
To most of us that act would verge on the immorality of suicide; to her it was the
expression of a mother's love deeper than despair and death; her conduct corresponded with
her conscience. We cannot place ourselves in her circumstances and in charity should
refrain from judgment.
Jean Valjean was a great hulk of a man, young and strong, ignorant and big hearted,
tramping the streets of Paris in search of work, trying to care for a widowed sister and
her family of seven little ones. there was no work to be had. He could not bear to hear
the voices of starving children so be came home late at night, thinking they would be
asleep. But hunger gnawed, and when he came in they were wide-awake and cried, "Oh,
Uncle Jean, have you any work? Oh, Uncle Jean, we are so hungry!" Madness seized the
man; he went to the nearest bakery, broke the window and stole a loaf of bread. Jean was
arrested and sent to Toulon as a galley slave. In the eyes of the law he had committed the
immoral act of theft. But his eyes saw pinched-up faces, his ears heard cries of hunger
and, regardless of consequences, his conduct corresponded with his conscience in a deed of
moral heroism.
Back of all the temporary circumstances and conditions of men and the transitory moral
codes evolved by human minds are certain positive standards of morality which the Divine
Intelligence has impressed on every particle of matter and every pulsation of energy. They
are the same for all mankind, regardless of place, time, race or religion. Of these
standards the trysquare is the Masonic mouthpiece. Freemasonry is defined as a beautiful
system of morality. It is a woven tapestry of great moral principles and purposes.
Whenever a Mason fails to live up to the best that is in him, whenever he blots out the
divine light of his conscience, whenever he is recreant to right as God gives him to see
the right, he is false to the trying square of his profession, but by this symbol
Freemasonry teaches a morality that masters manners, molds mind and makes mighty manhood.
The plumb is an instrument used by operative Masons to try perpendiculars. In speculative
Freemasonry it is a symbol of righteousness, that is, an upright life before God and man.
Righteousness is not a sanctimonious word. It means rectitude of conduct, integrity of
character, and deathless devotion to truth. The Psalmist asked, "Lord, who shall
abide in thy Tabernacle?" and this was the answer: "He that walketh uprightly,
and worketh righteousness and speaketh the truth in his heart." When correctly
understood, the truth symbolized by the Plumb constitutes a challenge to courage.
In the Sixteenth century Giordazo Bruno taught a plurality of worlds; for this he was
accused of heresy. He was tried, convicted and imprisoned in a dungeon for seven years. He
was offered his liberty if he would recant, but Burno refused to stain the sanctity of his
soul by denying that which he believed to be true. He was taken from his cell and led to
the place of his execution, clad in a robe on which representations of devils had been
painted. He was chained to a stake, about his body wood was piled, fagots were lighted and
on the spot in Rome where a monument now stands to his memory he was consumed by the
flames. Without the hope of heaven or the fear of hell he suffered death for the naked
truth that was in him.
The Great Light of Freemasonry contains this promise: "The righteous shall be in
everlasting remembrance." Men of tremendous power, men of creative genius, have
passed into oblivion, but the righteousness of a pure and noble character, of an unselfish
and divinely inspired life finds perpetuation in the clear amber of immortality. Of that
righteousness the Plumb is a symbol in Freemasonry.
Unrighteousness has wrought the destruction of peoples and civilizations, but
"righteousness exalteth a Nation."
Symbols are not academic playthings, they are intended to provoke and sustain thought.
Fellowcraft Working Tools present to the mind basic ideas of equality, morality and
righteousness.
All the implements of Masonry are assigned to the use of a Master
Mason. The principal one is the Trowel, an instrument used by operative Masons to spread
the cement which unites the building into one common mass. In speculative Freemasonry it
is a symbol of Brotherhood.
Paul stood on Mars Hill and said to the Athenians, "God hath made of one blood every
nation of men." That is not an expression of sentiment but the announcement of a
fact, whether men desire or deny it, whether men cherish it in their hearts or crucify it.
Man's ignorance does not change the laws of nature nor vary their irresistible march.
God's laws vindicate themselves; they crush all who oppose and break into pieces
everything that is not in harmony with their purpose. In the light of this truth it can be
safely asserted that no nation, no civilization can long endure which does violence to the
divine fact of human brotherhood.
Fraternity is the basis of all important movements for the common good and the general
welfare of society.
Freemasonry has been called a "society of friends and brothers employing symbols to
teach the truth." The trowel is a Masonic symbol of love, and with it we are to
spread the cement of brotherly affection. Next to faith in God, the greatest landmark in
Freemasonry is the "Brotherhood of man." We call each other "Brother",
but we sometimes fail to realize that brotherhood is a reciprocal relationship. It means
that if I am to be a brother to you, then you must be a brother to me. It is exceedingly
practical; it is not only for grateful gifts and happy hours, but for me when the soul is
sad, when the heart is pierced and pained, when the road is rough and ragged, and the way
seems desolate and drear.
The sentiment of Brotherhood in a man's heart is a futile thing unless he can find avenues
for its external expression. So far as I have been able to discover, there are three such
avenues.
The first is sympathy. Note intellectual sympathy that passes by on the other side of the
street and expresses sorrow, but a red-blooded sympathy that lifts a man up who has fallen
down and speaks the light of a new hope into his face. Dr. Hillis said that sympathy is
the measure of a man's intellectual power. Sympathy is more than this; it is the measure
of a man's heart-throb and soul vision. The great painters, poets, preachers, physicians,
and patriots, whose names illuminate the pages of history, excelled their contemporaries
in this one quality of human sympathy.
The second avenue is service. I have read somewhere, most likely in one of the writings of
Dr. Joseph Fort Newton, a statement that all over the vast temple of Freemasonry, from
foundation stone to the highest pinnacle, is inscribed in letters of living light the
divine truth that labor is love, that work is worship, and that not indolence but industry
is the crowning glory of a man's life whether he be rich or poor. In all the annals of
human progress the men who have accomplished works which have lived after them, which have
come up through cycles of time a blessing to succeeding generations, had not before their
eyes gold or fame or selfish aims or sordid gain, but had hung upon the walls of their
minds great ideals of human service to which they remained devoted until the light faded
and the day closed.
The third avenue is sacrifice, the most radiant word in the history of our race. The
sacrifices of father and mother for the education of the child, the sacrifices of son and
daughter for the old folks back home, the sacrifices of the patriot for the homeland and
the Flag, the sacrifices of the great servants of humanity, have through the ages made
music in the souls of men. He who would take sacrifice out of human life would steal from
maternity its sacred sweetness, expunge the wrinkles from the face of Abraham Lincoln, and
obliterate the stripes of red in our National Flag.
Every advance in civilization involves a victim. Before the progress of the world stands
an altar and on it a sacrifice.
Back in the centuries Socrates, with a cup of hemlock poison pressed to his lips, offered
himself upon the altar of human sacrifice for the divine right of liberty in man.
The words of Patrick Henry before the Virginia Assembly: "The next gale that blows
from the north will bring to our ears the resounding clash of arms. I know not what course
others may take, but as for me, give me liberty or give me death," lifted the soul of
Colonial America up to the coronation of a supreme sacrifice and made this Republic of the
West a possibility.
In the world crisis, American soldiers and sailors, as the champions of civilization, laid
their all, their hopes, their aspirations, their ambitions, their home ties and affections
upon the altar of human sacrifice to insure our national safety, defend our national
honor, and vindicate the ideals of American Independence on the battle fields of Flanders
and of France.
In a little country school I was taught that our National Flag stands for the graves of
men and the tears of women, for untrammeled conscience and free institutions, for sacred
memories and great ideals; that its red stands for the blood that bought it, its white for
the purity of the motive that caused it to be shed, its blue for loyalty ascending to the
sky, and its stars for deeds of bravery brighter than the stars of faultless night, But
when I think of George Washington and Gen. Joseph Warren, and Capt. John Paul Jones, and
that heroic band of Masonic patriots in the American Revolution and cast the utility of
our Craft against the background of its history, I can see its stripes of red baptized in
the sacrificial blood of our Fraternity, and its stars of glory illuminated By the
deathless light that shines from a Masonic Altar.
In Freemasonry we are familiar with the ancient drama of sacrifice made in the name of
faith, fortitude and fidelity.
These three, sympathy, service, sacrifice, are the avenues for the external expression of
the sentiment of brotherhood in man's heart.
In proportion as we are inspired by this ideal and use these avenues of expression, our
Fraternity will contribute to human good and happiness and answer the end of its
institution.
Tools have been called "The evangelists of a new day." They are teachers not
less than college and cathedral. Just as the Twenty-four-inch gauge and Common Gavel stand
for purpose and power, and the Level, Square and Plumb present basic ideas of equality,
morality and righteousness, so the Trowel is Freemasonry's symbol of unity and brotherhood
among men.